日本问题研究 ›› 2017, Vol. 31 ›› Issue (1): 73-80.DOI: 10.14156/j.cnki.rbwtyj.2017.01.010

• 论著 • 上一篇    

“女性王国”的建构与崩塌——论日本女性杂志《女人艺术》

李炜   

  1. 中央财经大学 外国语学院,北京 100081
  • 收稿日期:2016-09-05 出版日期:2017-02-25 发布日期:2017-02-25
  • 作者简介:李炜(1976—),女,山东德州人,博士,副教授,主要从事中日比较文学的研究。
  • 基金资助:
    国家留学基金资助项目(201606495030);中央财经大学2016“青年教师发展基金项目(QJJ632);中央财经大学外国语学院基础学科科研扶持计划(021650315005)

Construction and Fall of “Female Kingdom”——Study on Japanese Women’s Magazine Female Art

Li Wei   

  1. School of Foreign Languages, Central University of Finance and Economics, Beijing, 100081,China
  • Received:2016-09-05 Online:2017-02-25 Published:2017-02-25

摘要: 《女人艺术》是1928年7月由长谷川时雨创刊的综合文艺杂志,由于从编辑到撰稿人全部为女性而被评论界批判为“女性王国”。这个“女性王国”的建构,不仅为昭和初期的女性作家提供了发表的平台,将林芙美子等一批新人推上文坛,同时也为日本女性在政治及文化领域争取权利提供了言说的舞台,在昭和文学史及昭和女性史上留下了不可磨灭的印迹。如若围绕《女人艺术》上登载的评论文章及文学作品等主线透视“女性王国”从建构到崩塌的整个历程,不仅可以从中管窥到昭和初期日本女性的精神诉求及社会追求,同时还能勾勒出当时日本女性主义的发展路径。

关键词: 《女人艺术》, 女性王国, 女性主义, 女性文学

Abstract: Female Art is a comprehensive literary magazine established by Hasegawa Sigure on July 1928. Since all the editors and writers contributing to this magazine are females, it is criticized as “female kingdom”. However, the construction of such a “female kingdom” not only provides a publishing platform for Showa Era’s females, for instance, help new writers like Hayasi Humiko in the literary circle, but also a stage for Japanese women to earn political and cultural rights, which has left an indelible trace in Showa literary history and female history. If we interpret the construction and fall of “female kingdom” from its critical articles and literary writings, Showa Era Japanese women’s spiritual and social quest can be observed and Japanese feminist development can be illustrated.

Key words: Female Art, female kingdom, feminist, female literary

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