日本问题研究 ›› 2018, Vol. 32 ›› Issue (2): 43-48.DOI: 10.14156/j.cnki.rbwtyj.2018.02.006

• 社会文化研究 • 上一篇    下一篇

从《竹取物语》看日本平安时期的文化转型

张如意,刘春柳   

  1. 河北大学 外国语学院,河北 保定 071002
  • 收稿日期:2018-03-05 出版日期:2018-04-25 发布日期:2018-04-25
  • 作者简介:张如意(1965—),男,河北易县人,教育学博士,河北大学外国语学院教授,主要从事日本文学、日本文学批评理论研究。
  • 基金资助:
    河北省社科基金项目“日本当代文学批评的伦理性研究”(HB16WX007)

Cultural Transformation in Heian Period as Seen

ZHANG Ruyi,LIU Chunliu   

  1. College of Foreign Languages, Hebei University, Baoding, Hebei, 071002, China
  • Received:2018-03-05 Online:2018-04-25 Published:2018-04-25

摘要: 《竹取物语》是日本最早的物语作品,它诞生于日本从“唐风文化”向“国风文化”的转型时期。在《竹取物语》的叙事风格和思想内容中,既包含许多中国的传统文化元素,同时也具有日本独特的审美情趣和文化特征。研究《竹取物语》不仅有助于了解日本物语文学的叙事特点,还能进一步认识平安时期日本文化转型的一些特征。

关键词: 《竹取物语》, 日本文化转型, 叙事结构, 中国文化元素, 日本文化元素

Abstract: Taketori Monogatari (The Tale of the Bamboo Cutter), the first Japanese monogatari (fictional prose narrative), came into being in a transformative period in Japanese culture when the influence of Chinese Tang Dynasty was declining while the Japanese national consciousness was rising. Consequently, in terms of both theme and style, Taketori Monogatari contains many elements of traditional Chinese culture, and at the same time it also shows unique Japanese aesthetic taste and cultural features. The essay argues that studies on the tale will not only help us further understand the features of Japanese monogatari, but also the cultural transformation of Heian Period.

Key words: Taketori Monogatari, Japanese cultural transformation, narrative structure, elements of Chinese culture, elements of Japanese culture

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