日本问题研究 ›› 2016, Vol. 30 ›› Issue (5): 32-40.DOI: 10.14156/j.cnki.rbwtyj.2016.05.005

• 论著 • 上一篇    下一篇

江户时代“粹”的审美意识形成的社会背景

徐金凤   

  1. 沈阳航空航天大学 外国语学院,辽宁 沈阳 110136
  • 收稿日期:2016-03-21 出版日期:2016-10-25 发布日期:2016-10-25
  • 作者简介:徐金凤(1977—),女,山东潍坊人,沈阳航空航天大学外国语学院日语系副教授,研究方向为日本文化、日本近现代哲学。
  • 基金资助:
    辽宁省教育厅人文社会科学一般项目 (W2014040)

Social Background of Aesthetic Consciousness of “Iki” in Edo Period

XU Jin-feng   

  1. School of Foreign Languages,Shenyan Aerospace University,Shenyang,Liaoning,110136,China
  • Received:2016-03-21 Online:2016-10-25 Published:2016-10-25

摘要: “粹”主要是日本江户时期以遊里为舞台的一种审美意识概念,这一审美意识能在江户时代形成并定着与当时的社会环境有着密不可分的关系。参勤交代制使江户发展成为新兴町人聚集、武士多、男性多的消费型大都市。江户的这一城市特点促进了遊里的兴盛,并催生了江户子、伊达等“粹”的审美意识的践行者。以洒落本、人情本为代表的遊里文学的盛行进一步加速了“粹”的审美意识在社会的推广与传播。元禄时期开始形成的“浮世”感在化政文化时期得以定型,并规定了以“粹”的审美意识为代表的化政文化的特征。

关键词: “粹”, 遊里, 江户子, 伊达, 人情本

Abstract: “Iki” is an aesthetic consciousness based on Yuuri during Edo period,which took shape during Edo period just due to its close relation with social background.Sannkinnkoutai made Edo a newemerging consumptive metropolis with majority of Chonin,Saurai and male.This feature of Edo promoted the prosperity of Yuuli,and produced practitioner of “iki” aesthetic consciousness like Edokko and Otokodae.Furthermore,yuuli literature based on Syarehon and Ninjouhon boosted the promotion of “iki” aesthetic consciousness in Japan.Good sense originated in Gennroku period was finalized in Kase period,which set the features of Kase culture represented by “iki” aesthetic consciousness.

Key words: “iki”, yuuli, edokko, odokodate, ninjouhon

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